The Pyramids of the Cold Section 38 • The Tibetan Prayer Wheels and the Gallery's Axle Beam

The "wall mounted" Tibetan prayer wheels were of course supposed to be fixed on the floor, not on the wall: they are the perfect reproduction of the axle beam shaft of the Grand Gallery. The 3 ropes are even perfectly depicted.

"Copper wall mounted prayer wheel with Om mane peme hum mantra in Newari (Ranjana) lipi. The Buddhist stupa in the top of the prayer wheel makes this as nice religious home décor. This handmade prayer wheel can be placed on the wall in your prayer room, meditation room or in the living room. The prayer wheel is filled with a mantra roll printed with the compassion mantra of Chenrezig, Om Mani Padme Hum. This prayer wheel is handmade in Nepal. The prayer wheel has 2 lines Om Mani Mantra Tibetan Mantra and 1 line Auspicious Symbol in the center. Worshippers turn prayer wheels to accumulate merit, to help all beings in the world and to purify their karma (intentional actions). They are part of a meditation." 

"The prayer wheel should be turned clockwise with a single-pointed concentration of body, speech, and mind. It is easy and fast to turn the prayer wheel and it does not require great physical strength or many repetitions." https://vajracrafts.com/products/buddhist-copper-prayer-wheel-with-wall-mount

The Pyramids of the Cold v2 (May 2023) • Part G: the impact of the Great Pyramid on the ancient World

Section 38 • The Tibetan prayer wheels depiction of the axle beam's operation of the Grand Gallery

 In summary: for a very long time, there were two main problems I couldn't figure out, but crucial for the global understanding of the religious glorification of the operation of the Great Pyramid; it was about what Osiris is really about and what metaphor was used to represent the granite weight that was inserted inside the wooden part of the impactor.

I searched for months in vain the response for these two major individual problems, and I never thought that they were each other's solution: that is Osiris himself who is the metaphoric glorification of the granite weight that was inserted inside the wooden part of the impactor. Osiris actually, really is a stone, the most important of all; and like the endless pounding of the waters of the inclined well had been the origin event of the Churning of the Ocean Hindu myth, the Osiris stone also had been the origin of another mythology of its own: the Osiris stone is the weight of the Tibetan Prayer Wheels.

There are two very different kinds of prayer wheels, the hand held wheels with a chain and a little weight at the end of the chain, and the wheels designed to be mounted onto walls, and they are both directly referring to the operation of the Osiris stone, through the hauling ropes and axle beam of the Grand Gallery.

The Great Pyramid of Egypt is what the Tibetan prayer wheels are originating from.

38.01  The Tibetan prayer wheels and the Churning of the Ocean Hindu myth: same reinterpretation of the Great Pyramid's operation

We've seen in the previous Section that the Churning of the Ocean Hindu myth is a complete reinterpretation of the operating of the inclined well of the Great Pyramid of Egypt: the endless pounding of the waters of the well being described as the churning of these waters to create pressurized water. In this Section we'll see that the Tibetan Prayer Wheels are all about the functioning of the counterpart of the well: the Grand Gallery, where a Hauling gantry beetle was constantly pulling back the impactor from its initial floating position inside the well to the upper part of the Gallery, ready to be released one more time into the steep slope and pressurize the well.

We'll see that the most important part of the Prayer Wheels is its weight and that it is all about the Osiris stone.

The function of the Tibetan Prayer Wheels is not just about saying prayers or mantras, but about giving "small amounts of merit to lazy Naga spirits"; Nagas referring to snakes.

The fact is we've already seen that in the ancient Egyptian religion, snakes were not only metaphors of the water used to power up the Great Pyramid, but also metaphors of the ropes which were used in the Grand Gallery (Section about the central wooden caisson and Sekhmeth); so if the prayer wheels are somehow giving small amounts of merit to lazy snakes, it means that these small amounts of merit are actually given to lazy ropes.

Of course, these small amounts of merits, or small amounts of energy to the ropes of the Gallery, are referring to the sequential Hauling, using the latch bolts in the walls.

Tibetan Prayer Wheels, just like the Churning of the Ocean Hindu myth, are referring to the operating of the inclined well, but the Prayer Wheels are focusing on the impactor and how it was operated: their design with a "Tree of Life" axle and the weighed chain or rope are a perfect match of the entire apparatus of the Grand Gallery where the act of Hauling the impactor was performed. The winding mantras on the axle "Tree of Life" perfectly reproducing the winding of the impactor's central rope on the axle beam.

The Prayer Wheels' design and the Too Lazy Naga snakes myth are crucial for their understanding, but mantras or prayers are also very important, and if the origin of Prayer Wheels is all about ancient Egypt and the Great Pyramid, then these prayers would also refer to that same origin.

The fact is that they do: there is one particular ancient Egyptian god who was known as "the god who listen to prayers", and that is Ptah, the creator god who "crafted the world in the design of his heart". We've already seen that every time ancient Egyptians were talking about the Heart, they were referring to the Heart of the Great Pyramid: the inclined well; so Ptah creating everything from the design of his Heart, means that creation started in the well.

Ptah is the inclined well. Creator god Ptah is the glorification of the well of the Great Pyramid.

38.02  The impact of the Great Pyramid on the ancient World

I first need to emphasize one more time how puzzled I am about discovering bit by bit that everything I've wrote on ancient Egypt, has actually been "reused" in other civilizations like the Māori indigenous Polynesian people of mainland New Zealand (Aotearoa) in Bes' Section (the glorification of the wedging block of the Great Pyramid) as well as in the Churning of the Ocean Hindu myth.

What really needs to be pointed out is that ancient Egyptians had over time acquired a very high knowledge of what we call today Low Tech; but they accomplished this tour de force, surrounded by other civilizations who didn't and who were still pretty much living in the stone age.

No civilization other than the ancient Egyptians would have ever been able to impress the rest of the world that way. The imprint of the operating of the Great Pyramid of Egypt on the ancient World was so strong that many myths were born because of it; and it happened all over the world.

The Hauling of the impactor in the Grand Gallery (the "Secret Hauling Cavern of the Underworld"), the pressurization of the waters of the inclined well (snakes with weight upon them) and the fog of microdroplets (the Dendera Light) that created the cold by simply evaporating, everything had been glorified and worshiped in Egypt, but also all over the ancient world.

It happened in New Zealand, in India, in Cambodia and it also happened in Tibet with the Prayer Wheels and the Lazy Naga snakes, and it always concerned the most important part of the pyramid : the inclined well. Many myths that appeared in the ancient World outside Egypt are about the inclined well. Maybe most of them are.

Many people trying to decipher ancient Egypt outside the box, are playing with the idea that electricity is the key, but it is not: the key is pressurized water.

And the Tibetan prayer Wheels are all about that : the lazy Naga snakes that need to get 'merit', should I say 'energy', is all about pressurization of water. Like in ancient Egypt, snakes were metaphoric representations of water, and lazy snakes were just plain still water.

Tibetan Prayer Wheels are about how was pressurized the water of the well.

The "wall mounted" Tibetan prayer wheels were of course supposed to be fixed on the floor, not on the wall.

38.03  Tibetan prayer wheels are actually intended to constantly give small amounts of merit to "too lazy Naga snakes": it is about the sequential hauling rope process

The real function of the Tibetan prayer wheels is not just about saying prayers or mantras, but really about giving "small amounts of merit to lazy Naga spirits"; Nagas referring to snakes.

The fact is we've already seen that in the ancient Egyptian religion, snakes were not only metaphors of the water used to power up the Great Pyramid, but also metaphors of the ropes which were used in the Grand Gallery (Section about the central wooden caisson and Sekhmeth); so if the prayer wheels are somehow giving small amounts of merit to lazy snakes, it means that these small amounts of merit are actually given to lazy ropes.

Of course, these small amounts of merits, or small amounts of energy to the ropes of the Gallery, are referring to the sequential Hauling, using the latch bolts in the walls.

"The prayer wheel, a popular device in Tibet and across the Himalayas, was originally intended for the Naga world, where the serpent-like creatures were too lazy to engage in meritorious acts.

"A common narrative for the origins of the prayer wheel credit Shakyamuni Buddha for teaching a system of religious practice that would allow the very lazy and uneducated Naga Spirits to acquire some small amount of merit by turning in a clockwise direction a cylinder of mantras, dharanis and auspicious verses."

https://www.himalayanart.org/search/set.cfm?setID=562

"According to one story of their origin, the philosopher Nagarjuna obtained the prayer wheel from the king of the serpentine beings known as Nagas, who in turn received them from the Buddha Dipamkara. The Naga king described the prayer wheel as the “profound Dharma wheel that can liberate sentient beings from all the suffering of the 3 lower realms by merely seeing, hearing, remembering, or touching.”

https://rubinmuseum.org/collection/artwork/wind-powered-prayer-wheel-20.406

38.04  The top platform of the Grand Gallery and the Two Sandals of Isis

Please note on the bottom of the wall mounted prayer wheel, the exact same shape than the one of the "Two Sandals of Isis": the two axle beam holders that anchored the shaft into the giant block that is the top platform of the Grand Gallery.

Tibetan prayer wheel at the MAAS Museum of Applied Arts & Sciences, Powerhouse Collection: https://collection.maas.museum/object/185526

38.05  Prayer wheels are all about the Grand Gallery and the operation of the impactor

We've seen in the Churning of the Ocean Hindu myth Section, that both the artistic representations and the myth itself, were indicating that the origin of the myth was the Great Pyramid and mostly the inclined well.

Here for the prayer wheels deciphering, we have the same dual thing: both the design of the wheels and the myth about them are indicating their origin, and it is still about the pyramid, but this time it is all about the Grand Gallery and the operation of the impactor.

38.06  The cord/chain and the weight: the central rope operated impactor

It looks like modern interpretations of prayer wheels only see in the weighed chain of the handled models, a simple accessory that facilitates the use of the wheel, but it is a profound mistake: everything about the prayer wheels indicate that the chain (or the cord) is referring to the central rope of the Grand Gallery; the rope that connected the axle beam of the upper platform to the impactor and ensured its hauling from the inclined well.

38.07  Prayer wheels are only meant to be spinned clockwise

This information about the prayer wheels, hence the Tree of Life having to be spinned clockwise could be of some interest: it could indicate that when the impactor was hauled up to the top part of the gallery, the Tamarix axle beam would have also rotated clockwise.

Knowing the tremendous impact all the Great Pyramid operation had in Egypt and all over the ancient World, it is even possible that this is the origin of the definition of the clockwise direction of rotation itself.

38.08  The Grand Gallery's axle beam was most probably made of super tension resistant Tamarix wood

"Later myths tell a story in which the evil god Set killed Osiris, put him in a coffin which he threw into the Nile. The coffin became embedded in the base of a tamarisk tree of life, which became a pillar in a king’s palace."   https://www.landofpyramids.org/tree-of-life.htm

"The coffin became embedded in the base of a tamarisk tree of life, which became a pillar in a king’s palace." is priceless, because not only in the story about evil god Set, is appearing a wooden pillar, but we also learn that this pillar was made of Tamarix (also Tamarisk or Salt cedar) wood : that is the axle beam of the Grand Gallery these myths are talking about.

We've already seen that the impactor was certainly made of Sycamore (also Sycomore) Ficus sycomorus tree (the Sycamore tree putting its weight upon the Great Serpent Apep), probably the most hit and weather resistant of all wood species. Could the axle beam of the top platform of the Grand Gallery had been really made of Tamarix wood?

According to Wikipedia, Tamarix wood was used in ancient times to make 'tremendous powerful bows': it means that it is a wood which is super resistant to tension, whether that tension is coming from the string of a Saka bow, or from the central hauling rope of the impactor.

"The Tamarix wood was used by the Saka (combined with wood and ibex horn) to produce tremendously powerful bows hundreds of years before the common era." https://en.wikipedia.org/wiki/Tamarix

Buddhist prayer wheel, Tibet, 1601-1900, Wellcome Collection at the Science Museum, London: https://wellcomecollection.org/works/ewt83spb

38.09  The chain and the weight of the hand held prayer wheels are about the Isis Hauling rope and the Osiris stone

This probably is one of the most beautiful part of the prayer wheels' design: not only the axle beam is clearly represented on the artifacts, but both the central Hauling rope (that is Isis), and the Osiris stone (the weight of the impactor), are also on the device. 

Of course, the coiled mantras are directly referring to the coiled ropes on the shaft.

38.10  The Isis Hauling rope of the impactor of the Great Pyramid of Egypt

It is interesting to note that if the Tibetan prayer wheels used "coiled" mantras to represent the coiled ropes of the Grand Gallery onto the axle beam shaft, ancient Egyptians themselves used the "coiled rug" metaphor about Cleopatra, who was indeed called "the Daughter of Isis".

Ptah-Sokar-Osiris Figure of Ankhshepenwepet, Dynasty 25 (Kushite) at the Metropolitan Museum of Art, New-York: https://www.metmuseum.org/art/collection/search/548279

Also at the MET, the Ptah-Sokar-Osiris Figure Dedicated to a temple musician named Ihet, it is inscribed with offering prayers and texts glorifying the gods: https://www.metmuseum.org/art/collection/search/553823

Bronze seated figure of Imhotep at the British Museum: https://www.britishmuseum.org/collection/object/Y_EA40666

38.11  In the Osiris myth, the coffin is about the wooden part of the impactor... and Osiris himself is the stone weight

Osiris' deciphering had been for me like a mosquito hunt when you can hear it's sound but you can't neither spot or kill the poor thing. At the same time I'd been trying to find how ancient Egyptians had represented the so important granite weight of the impactor, but in vain… until today. I'd killed the mosquito, and I'd killed Osiris, the metaphoric glorification of the Great Pyramid of Egypt impactor's granite weight.

It really is amazing, I was looking for more than a year now what was the metaphoric representation of the granite block that was inserted inside the impactor; one of the most important block of the entire operating Great Pyramid, and I actually literally had it right under my eyes since the very beginning… but I guess it wasn't the right time.

I think I was looking for something that in some way 'looked like' a granite block, or another animal like Taweret but I should have known better and keep analyzing the myths more accurately, because the solution of this so particular granite block is in the Osiris myth : the Osiris coffin "made to fit Osiris exactly" is the wooden cradle float part of the impactor and Osiris is the inserted granite block that was nested inside the wooden coffin of the impactor of the Great Pyramid.

"In the Osiris myth, Osiris was killed by Set by being tricked into a coffin made to fit Osiris exactly. Set then had the coffin with the now deceased Osiris flung into the Nile." https://en.wikipedia.org/wiki/Djed

The wooden cradle float (most probably made of very hit and weather resistant Ficus sycomorus wood, Section 10) was just the vessel for this granite block : the boats of the Underworld are all about this vessel.

"Osiris is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion." [...]

"Plutarch recounts one version of the Osiris myth in which Set (Osiris' brother) […] conspired with 72 accomplices to plot the assassination of Osiris. Set fooled Osiris into getting into a box, which Set then shut, sealed with lead, and threw into the Nile." https://en.wikipedia.org/wiki/Osiris

The Dendera Light relief in the Hathor temple, photographed by Kairoinfo4U and posted on flickr: https://www.flickr.com/photos/manna4u/14525094039/in/photostream/

Lotus seed head image thanks to Dinkum: https://commons.wikimedia.org/wiki/File:Nelumbo_nucifera_%28fruit%29.JPG

38.12  The "Om mani padme hum" mantra, literally "the Jewel in the Lotus" is the glorification of the fog nozzle of the Great Pyramid

"Om mani padme hum" is most probably the most important mantra of all; its meaning is: “the jewel in the lotus”.

We've already seen in the Dendera Light Section, that the lotus flower from which the bulb is getting out is a representation of the fog nozzle that was set at the entry of the horizontal cooling passage: the representation of the lotus flower isn't about the flower itself, but about the lotus seed head that resembles to a shower head.

The meaning of the lotus flower is about running water passing through the Jewel of the Lotus: the fog nozzle of the pyramid.

In other words, the Tibetan "Jewel in the Lotus" mantra is the glorification of the fog nozzle of the Great Pyramid of Egypt.

"Prayer wheels larger than human size are to be seen in separate rooms in Tibetan Buddhist temples and can be set in motion by pilgrims. With the help of a small bell the number of revolutions can be counted. The cylinders of fixed prayer wheels are often inscribed with the formula “Om mani padme hum” (meaning “jewel in the lotus”) in ornamental Lantsa (Ranjana) letters." https://en.wikipedia.org/wiki/Prayer_wheel

Statue of god Ptah, photographed by kairoinfo4u: https://www.flickr.com/photos/manna4u/26774477850/in/photostream/

"Ptah, in the form of a mummified man (except for arms and face) standing on the symbol for Ma'at, holding a scepter or staff that bears the combined ankh-djed-was symbols" and drawing of the Creation god Ptah by Jeff Dahl on Wikipedia: https://en.wikipedia.org/wiki/Ptah

Photograph from tomb KV 11 of Ramesses III, side chamber, image # 21076 by Matjaz Kacicnik, courtesy of ARCE, American Research Center in Egypt in partnership with the American University in Cairo Egyptology Department: https://thebanmappingproject.com/images/21076jpg

38.13  Tibetan prayers and mantras are really meant to be heard by ancient Egyptian god Ptah "Who Listen to Prayers" 

We've seen that the Prayer Wheels' design and operating were all about giving small amounts of merit to Too Lazy Naga Snakes, the ropes of the Grand Gallery that needed to be hauled sequentially so that the impactor could get to the top of the Gallery before ramming into the inclined well waters; but of course the prayers or mantras themselves are important, they are crucial; and if nobody is here to hear these prayers, what's the point, right?

If prayers and mantras are about what happened in the Grand Gallery, then it shouldn't be a surprise that Ptah, the one god who deified the inclined well itself, is actually really known to be the one god who really "Listen to Prayers".

"In the New Kingdom, the cult of the god would develop in different ways, especially in Memphis, his homeland, but also in Thebes, where the workers of the royal tombs honoured him as patron of craftsmen. For this reason, the oratory of Ptah who listens to prayers was built near the site of Deir el-Medina, the village where the workers and craftsmen were housed. At Memphis, the role of intercessor with humans was particularly visible in the appearance of the enclosure that protected the sanctuary of the god. Large ears were carved on the walls, symbolizing his role as god who listens to prayers." https://en.wikipedia.org/wiki/Ptah

38.14  Ptah's hollow scepter is the inclined well representation

In the above image and in most of his representations, Ptah is holding a blue and yellow scepter or staff that bears the combined ankh, djed and was symbols.

This blue and yellow 'staff' is actually the representation of the inclined well of the pyramid, and the reason why the ankh, djed and was symbols seem to be nested into that 'staff' is only to indicate that it is hollow: the 'staff' is the inclined well and the dotted blue line is about the movement of water .

The representation of the well held by Ptah is always in a perfect vertical position, but its true nature is shown in the tomb of Ramesses III: it has pretty much the same slope than the Grand Gallery/ascending passage layout.

38.15  Osiris and Ptah are indissociable: they are parts of the same unit 

If ancient Egyptian gods Osiris and Ptah are represented in a very similar way, that is because they were actually working together, like an engine motor.

Osiris was the piston and Ptah was the cylinder. You can take these parts apart, but they don't have any interest separately. It looks like for the Egyptians that what I'm calling the 'impactor' wasn't the composite wooden coffin with the nested granite Osiris stone, but the Osiris stone only. The wooden part was only a simple vessel: the many boats represented everywhere in the Underworld are the representations of this vessel. Boats in the Underworld = the wooden coffin of the impactor.

Osiris is represented still, but the flail indicates that he is moving at high speed (the flail is the representation of water plumes projected at the rear of the Apis bull), ready to ram into the inclined well that Ptah is holding.

38.16  Ptah constantly referring to the Heart is the glorification of the Heart of the Pyramid: the inclined well itself

We've already seen many times that the inclined well was metaphorically represented into a functioning living Heart, so when creator god Ptah is constantly referring to the Heart, he is referring to the inclined well. And that is the link with the Tibetan prayer wheels, or more precisely the prayers are the link between Ptah and the prayer wheels: both are about the inclined well and both are listening to the Prayers.

Every single Prayer coming from the prayer wheels and listened to by the ancient Egyptian creator god Ptah is about one single cycle of the inclined well operating : one Prayer = one pressurization of the Well = one creation of the evaporative fog creating the cold.

In the following excerpt, Ptah is being linked to some of the ancient Egyptian gods that are referring to the evaporative cooling process : Atum and Tefnut ('tf' meaning to spit). More on Nut and Tefnut in Section 3

"He created the universe by speaking words through his Tongue (linked to the god Thoth and the goddess Tefnut) and by thoughts coming from his Heart [...]. There came into being as the heart and there came into being as the tongue ... in the form of Atem (Atum)." http://www.touregypt.net/featurestories/ptah.htm

38.17  The creation of the myths about the inclined well

It is very hard to imagine what really would have looked like the Great Pyramid when in operation, but certainly as I've already discussed many times in previous posts, the Great Pyramid wouldn't have been completed; it would have pretty much looked like the lower part of the Bent Pyramid, and if this Bent Pyramid is precisely in 2 parts, it must certainly has to be related to that lower Great Pyramid's design part for cold production.

But if the impactor hit the waters of the well every 15 minutes and if the Grand Gallery was somehow close to be in midair, the sound of the whole thing would have been probably heard kilometers away.

Everybody in ancient Giza would have been able to hear it, about 10 hours a day, every 15 minutes or so, for most probably a period of a few months at least. Residents of Giza would have heard it but also everybody coming to Giza from foreign countries: visitors, merchants, domestic and foreign dignitaries, etc.

Of course, the biggest impression would have been caused by the breaking of the Bes wedging block and the release of the Taweret block resulting in the tremendous shock with the Savior block (granite plug #2).

Everybody heard it, and everybody talked about it. This is how the inclined well inspired so many myths in the ancient World.

Diagram of the operating Great Pyramid of Egypt for evaporative cold production (hypothetically for chemical manufacturing cooling of pure sodium carbonate "natron", the salt used for the mummification of pharaohs). When in operation, the elevation of the Great Pyramid was not finished, and it is only after the shutdown procedure and the draining of the inclined well, that the 3 granite plugs were finally close to one another.

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The Pyramids of the Cold version 2 (May 2023 - March 2024)

Summary of the study and Table of Contents

Part A: The evaporative cooling process

Section 1 • The horizontal evaporative cooling passage layout

Section 2 • The Dendera Light and the creation of the fog of microdroplets by the fog nozzle

Section 3 • The water cycle glorifying metaphors: Geb, Shu, Nut, Tefnut

Section 4 • The theorization of the evaporative cooling process by Akhenaten and Nefertiti

Section 5 • The theorization of the evaporative cooling process in the Weighing of the Heart

Part B • The inclined well of the Great Pyramid of Giza

Section 6 • The inclined well layout and the girdle stones

Section 7 • The Taweret "Lady of the Well" temporary sealing granite plug of the well

Section 8 • The Bes temporary wedging block immobilizing Taweret

Section 9 • The draining of the well

Section 10 • The Great Serpent Apep and the snake water metaphors

Section 11 • The Was scepter and the control over "snakes"

Section 12 • The beating Heart of the Great Pyramid

Part C • The composite impactor of the Great Pyramid (Horus, Ra, Osiris, Medjed, Sobek...)

Section 13 • The wooden and stone composite design of the impactor: Ra and Osiris

Section 14 • The endlessly immersed Osiris stone and the seed metaphor

Section 15 • The Anubis sledge and the bobsled mask

Section 16 • The sledge runners of the impactor: Thoth

Section 17 • Medjed: the smiter nobody can ever see

Section 18 • The Apis bull and the ramming impactor's metaphors

Section 19 • The crocodile god Sobek impactor (more or less) floating in the waters of the well

Section 20 • The Obelisk and the Benben stone rising from water

Part D • The Grand Gallery's of the Great Pyramid of Giza

Section 21 • The Sacred "sloping paths" of the "oval-shaped cavern of the act of Hauling"

Section 22 • The central wooden caisson of the Gallery: Sekhmet and the Triad of Memphis

Section 23 • The hauling ropes of the Grand Gallery: Isis, Nephthys, Hatmehit, Wadjet and Nekhbet

Section 24 • The hauling Beetle and the Seven Scorpions of Isis

Section 25 • The Great Cow goddess Hathor and the operating cycle of the hauling Beetle

Section 26 • The 10 operating phases of the Grand Gallery

Section 27 • The guide to the Afterlife for the smart traveler and the canopic jars

Section 28 • The scarab amulet glorifications of the hauling Beetle

Part E • The very large and roughly finished sarcophagus of the Great Pyramid

Section 29 • The biosand filter sarcophagus of the Great Pyramid

Section 30 • The Elephantine Triad deification of the biosand filter of the Great Pyramid

Section 31 • The Great Pyramid's operating flat roof and the water supply issue

Part F • Chemical manufacturing and industrial cooling before the Great Pyramid

Section 32 • The Serdab and the "Refreshment of the Gods" Step Pyramid of Djoser

Section 33 • Sneferu's Red Pyramid and the accumulated ammonia

Section 34 • The Disc of Sabu and the Solvay process for pure natron manufacturing

Part G • The tremendous impact of the Great Pyramid on the whole ancient world

Section 35 • The hidden secrets of the Hermetica Emerald Tablet (around 1600 C.E.)

Section 36 • Thor and the magical Hammer in the Great Hall of Bilskirnir

Section 37 • The Churning of the waters of the Ocean of Milk (Hindu mythology)

Section 38 • The Tibetan prayer wheels and the Grand Gallery's operation

Section 39 and Conclusion • The cooling water of spitting Kebechet

Part H • Epilogue

Section 40 • The smiting Ark of the Covenant and the Ten Commandments

Section 41 • The 293 kilograms windlass Staff of Moses and Aaron... and the First Plague of Egypt: water turning into blood

Section 42 • Ezekiel's Four Egyptian pulley "Wheels within the Wheels" and the four angel ropes

Section 43 • David, Saul, two giant Goliaths, five little stones, an aeolian harp... and a weaver's beam

Section 44 • The holy water fonts and the biosand filter

Part I • The magicians of the Great Pyramid of Giza

Section 45 • The Legend of Khufu and the "magician" polymath Imhotep

Section 46 • The two magical eyes of Isis and the brilliant but painful flame of her twin sister's braids