The Pyramids of the Cold Section 37 • The Churning of the waters of the Ocean of milk

The Churning of the Ocean of Milk, at the San Diego Museum of Art:   https://www.flickr.com/photos/thesandiegomuseumofartcollection/6125128576/

Dual depiction of Hapi (Hapy), the ancient Egyptian god of the Nile and its flood, in the Sema-Tawy motif of unification of the two lands, courtesy of Jeff Dahl: https://en.wikipedia.org/wiki/Hapi_(Nile_god)

The Pyramids of the Cold v2 (May 2023) • Part G: the impact of the Great Pyramid on foreign civilizations

Section 37 • The Churning of the waters of the Ocean of Milk (Hindu myth) and the Amrita immortal life elixir production

In summary: we've seen in previous Sections that the Great Pyramid of Giza was (most probably) designed to cool down overheating chemical manufacturing of sodium carbonate and sodium bicarbonate, using the power of water that first needed to be pressurized by an impactor, over and over, most probably for days, maybe weeks or even months. At the time, sodium carbonate was called natron, and it was the salt used for the mummification of the pharaohs. Manufactured natron gave to pharaohs eternal life. Natron made them immortals.

The amazing thing is that every single aspect of what I've just described here, is actually the core of one of the most important myth of the ancient World. The problem is that it is not originating from ancient Egypt, but from the Hindu mythology : it is the myth about Shiva and the "Churning of the Ocean of Milk" that ends up with the production of the Amrita, "the nectar of immortal life".

37.01  The reinterpretation of the ancient Egyptian accomplishments into the Hindu mythology

Amazingly and completely unexpectedly, I can assure you, what have arose from this study is that the Hindu mythology is actually partially, or entirely the result of the reinterpretation of the ancient Egyptian accomplishments in the Great Pyramid and in particular the operating of the inclined well: the "Churning of the Ocean" is a perfect metaphor of the endless pounding of the inclined well by the impactor of the pyramid. It is the churning of the water of the well.

Not only did Hindu mythology reinterpreted the entire operating process of the Great Pyramid in text and art with the Churning of the Ocean, but they are also replicating today the most important part of the process: the creation of the fog of microdroplets that was giving birth to the evaporative cold. In the incredible and unique contemporary Ash Ritual performed during the Bhasm Aarti at Ujjain's Mahakaleshwar Temple, the fog of microdroplets is recreated by filling the sanctum with clouds of ash, the culmination of the ritual.

Ancient Egyptians didn't use the churning of water metaphor, instead they used another one because the functioning of the well could have also been compared to the functioning of the heart. In ancient Egyptian religion, the heart was considered the most important body part because the inclined well was the heart of the Great Pyramid. They put a scarab amulet on the heart of a deceased person because the hauling beetle of the Grand Gallery gave life to this heart.

Most probably, the heart symbol as we know it today, comes right from this metaphor of the inclined well functioning: the well of the pyramid was functioning just like a beating heart.

Distinguished British men of science 1807-1808 assembled in the library of the Royal Institution, London. Mezzotint by W. Walker and G. Zobel after F. Skill and W. Walker, ca. 1860, after Sir J. Gilbert. The library at Wellcome Collection:   https://wellcomecollection.org/works/t9jgbf8r/images?id=e9xkt35r

37.02  The 1800's Romanticism misguided vision of the ancient World

I hesitated for a long time before writing down this post, because the more things I discover about the ancient World, the most opposition I'll get. Everything we know of ancient times need to be revisited, completely revisited.

The problem about this period is that everything that had been written on the subject, is only based on the first assumptions made in the early 1800's : nothing had been proved wrong, nothing had been modified. Every historian simply added his own layer over the initial description of the ancient World.

The original sin about historians from the 1800's is that they fantasized an entire vision of the ancient World with very few data but with the boundless Romanticism ideology of their time. This fantasy has been in progress for over 200 years and it is still in effect today.

How could the Great Pyramid be a tomb for a pharaoh when there is absolutely no decoration anywhere in the structure? How the granite "sarcophagus" could have been designed for the pharaoh's body when there is, again no decoration anywhere on it? How could Nut be the goddess of the sky when her emblem is a water pot?

 If the Great Pyramid would have been designed as a tomb, there would have been a town built all around it, so that people could worship and protect the pharaoh anytime. Nobody will ever have accepted to let pharaoh all alone in the dark at night when everybody else would stay together, secured inside the town boundaries, something like one kilometer away from him. Paraphrasing a popular expression "The church must be at the centre of village life".

What kind of structure do we build away from town? Production plants and industrial zones ! And that is precisely what the Great Pyramid was : a Solvay plant for sodium carbonate (natron) and sodium bicarbonate manufacturing.

We are in 2022 and the vision of the ancient World we have today is the exact same vision that had been fantasized in the 1800's, when at the same time, every other field of Human knowledge had been corrected and improved about a thousand times. What are we waiting for to truly pay tribute to our ancestors?

Ancient Egyptian amulet similar to E 12977: https://collections.louvre.fr/en/ark:/53355/cl010012629

Thousand lingas river, Kbal Spean, Cambodia, by BluesyPete: https://en.m.wikipedia.org/wiki/File:LingamCambodge2.JPG

37.03  A profound Change of Civilization Event that impacted the whole ancient World

We've already seen in Section 8 about ancient Egyptian god Bes, that the Great Pyramid had a tremendous impact outside Egyptian borders : modern Maori rugby players performing the Haka ceremonial dance are actually reproducing everything about Bes: 1/ His unmovable posture, 2/ His tongue out (the spitting metaphor), and 3/ His controversial cutting of the head gesture, because Bes was a metaphoric representation of the wedging block that immobilized the Taweret block, the bottom of the inclined well when the pyramid was in operation before the draining of the well shutdown procedure.

What ancient Egyptians accomplished during the first four Dynasties was a profound Change of Civilization Event : the whole world had to hear about it. It must have been so powerful and inspiring that it would have impacted ancient mythology all over the world, like it had in what is now New-Zealand and the Maori culture.

But ancient Egyptian accomplishments in physics and chemistry also had to inspire other civilizations in the ancient World, and it really is what happened in ancient Asia : the "Churning of the Ocean of Milk" and the Shiva Lingams of Hindu mythology are directly inspired by the Great Pyramid of Giza, and they are still worshiped today by hundreds of millions of people.

37.04  The copy-paste similarities between ancient Egypt and Hindu mythology [1]: the Thousand Lingas river

The impact and influence of ancient Egypt spread all over the world, as demonstrated by the above flooded carving in the "thousand Lingas river" in Cambodia. The similarities with the Egyptian "offering table amulet" are striking, even the 5 discs inside the structure are a perfect match. If we look closely, the 8 items on the "table" (2 baboons, 2 "masts", 2 dogs, one frog and one man) are also corresponding to the 8 outer discs on the Hindu interpretation.

The creation of Brahma. In Vaishnava Puranic scriptures, Brahma emerges on a lotus from Vishnu's navel as Vishnu (Mahavishnu) creates the cosmic cycle: https://en.wikipedia.org/wiki/Brahma#/media/File:Sheshashayi_Vishnu.jpg

God of the annual inundation of the Nile Hapi, creating the first snake with his own water (snake = water), in the Isis temple, North wall of the Gate of Hadrian, Philae, Egypt: http://www.temples-egypte.net/philae/hadrien/paroiNord/registreMilieu.html

37.05  The copy-paste similarities between ancient Egypt and Hindu mythology [2]: The Hindu reinterpretation of ancient Egyptian god of the Nile Hapi into Vishnu

Vishnu sitting onto the body of a great snake and positioned like he is protected by it, isn't the only god of the ancient World who is depicted in this exact same position: god of the Nile Hapi, in a relief in the Isis temple at Philae, is doing it too.

What is striking is that on the above set of images, pretty much everything is representing water: ancient Egyptian god of the Nile Hapi is water, Hindu gods Vishnu and Brahma are water and the snakes on which they are sited on are also water. Like usual, Hindu mythology is showing a lot more than its original Egyptian counterpart: water is also represented as it is, without the use of any metaphor.

Figure of Kurma, the Tortoise incarnation of Vishnu in the Ashmolean Museum of Art and Archaeology at the University of Oxford, England:   http://jameelcentre.ashmolean.org/collection/7/10230/10264/all/per_page/50/offset/0/sort_by/seqn./object/11166

Kurmavatara, tortoise incarnation of Vishnu, from Garhwa, Prayagraj District:   https://upload.wikimedia.org/wikipedia/commons/4/4f/Kurmavatara_%28tortoise_incarnation_of_Vishnu%29%2C_from_Garhwa%2C_Allahabad_District.jpg

37.06  Vishnu getting out of the Tortoise's mouth is a reinterpretation of pressurized water ejected from the well

What is incredible on the above figure of Kurma, the Tortoise incarnation of Vishnu, at the Ashmolean Museum, is that the shell of the Tortoise is a perfect copy of the Heart shape element on which ancient Egyptian god of the Nile is stepping on the sema-tawy motif, the union of "Lower and Upper Egypt".

If this Heart shape element is the representation of the inclined well, because of its heart-like functioning, then the Tortoise is also a representation of the Heart/inclined well.

Because the inclined well was producing pressurized water, then what is getting out of the Tortoise's mouth is pressurized water.

Vishnu is pressurized water, getting out of the inclined well. In other words, Vishnu is a reinterpretation of ancient Egyptian god Atum.

In Vaishnava Puranic scriptures, Brahma emerges on a lotus flower from Vishnu's navel as Vishnu (Mahavishnu) creates the cosmic cycle. Shaivite texts describe that Shiva told Vishnu to create, Shiva ordered Vishnu to make Brahma: https://en.wikipedia.org/wiki/Brahma. Dendera Light photograph thanks to kairoinfo4u and posted on flickr:   https://www.flickr.com/photos/manna4u/14525094039/in/photostream/

37.07  The creator Hindu god Brahma and the lotus flower

"Brahma (Sanskrit: ब्रह्मा, romanized: Brahmā) is a Hindu god, referred to as "The Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva. He is associated with creation, knowledge, and the Vedas. Brahma is prominently mentioned in creation legends."

https://en.wikipedia.org/wiki/Brahma

We've seen that Vishnu is referring to water in liquid form because he is the reinterpretation of god of the annual inundation of the Nile Hapi, but Vishnu is also creating Brahma out of the Lotus flower. This is the post about the Dendera Light all over again: the Creation is about the fog of microdroplets and the evaporative cold.

If Brahma is in the air, it is because Brahma is water in its evaporated form.

Of course, again, everything here has to be taken metaphorically. I'm not saying that Hindu mythology is the same thing as the ancient Egyptian religion. The Hindu mythology is a complete reinterpretation; the creator god Brahma is not "really" water in its evaporated form.

I'm just interested in finding out the real origin of things, the real foundation on which they were built. From these foundations, Hindus did construct an entire new mythology, that simply originates in ancient Egypt with the Great Pyramid.

The same way Atum is producing the evaporative fog of microdroplets through the lotus flower, and so creating the cold (the fog = Amun), Vishnu is also creating Brahma through the lotus flower.

If Vishnu = Atum, then Brahma = Amun

Everything about the "Churning of the Ocean" Hindu myth is inspired by ancient Egyptian God of the Nile Hapi, who was creating a snake out of his own water. The snake in the Churning of the Ocean is Vasuki, Lord Shiva's snake.

"Vāsuki took part in the incident of Samudra manthana by allowing both the devas and the asuras to bind him to Mount Mandara, so that they could use him as their churning rope to extract the Amrita from the ocean of milk". https://en.wikipedia.org/wiki/Vasuki

37.08  The copy-paste similarities between ancient Egypt and Hindu mythology [3]: the Churning of the Ocean of Milk

We've seen that the entire ancient Egyptian religion was only about the glorification of the scientific and technological accomplishments in physics and chemistry, and that the whole story could be summarized as follows: natron was manufactured for the mummification of the pharaoh in order to assure him eternal life, and the key point of the process was the cooling of the chemical manufacturing reactions. Water was used for the cooling, but not directly: evaporative cooling was created after the pressurization of the water of the inclined well of the Great Pyramid, using an impactor, endlessly pounding the waters.

The fact is that everything I've just said here, actually does appear in one single myth that every historian knows about. But there is a catch, a little twist : this myth doesn't come from Egypt, but from Hinduism, and it is the Churning of the Ocean of Milk, the Samudra Manthana.

37.09  The Churning of the Ocean of Milk [1]: Summary of the myth

"Hindu history also contains a story about the churning of the Cosmic Ocean in order to obtain Amrita – the nectar of immortal life. At the suggestion of Vishnu, the devas and asuras churn the primeval ocean in order to obtain Amrita which will guarantee them immortality. To churn the ocean they used the Serpent, Vasuki, for their churning-string. For a churning pole they used Mount Mandara placed on the back of a Great Tortoise – the Kurma Avatar of Vishnu. As the gods and demons churned the sea, the terrible poison Halahala issued from its depths and began to envelop the universe with its choking fumes. Gasping for breath, the devas and asuras sought the help of Shiva, who valiantly took the poison into his throat and swallowed it. Shocked by his heroic act, the Goddess Parvati grasped him by the throat, trapping the poison there and preventing it from spreading; but, such was the strength of the poison, that it turned his neck blue, thereby earning him the name of Neelakantha (blue-throated one)."   https://en.wikipedia.org/wiki/Kshira_Sagara

The churning process is about applying pressure on a vertical axis : Hindu gods and demons aren't trying to rotate the churning axis, they are just replicating Hapi's gesture applying pressure with the foot and containing it with the hand. Canadian farm girl churning butter, 1893 by Bayley, W. Braybrooke, 1857-1939, on Wikipedia (Churning butter): https://en.wikipedia.org/wiki/Churning_(butter), image from Library and Archives Canada (reproduction reference number PA-126654)

The churning of the ocean of milk, Cambodia, Prasat Phnom Da, Angkor vat style, first half of the XIIth century, sandstone. Musée Guimet, Paris (Barattage de l'ocean de lait, Cambodge). Image courtesy of Ddalbiez:  https://fr.wikipedia.org/wiki/Fichier:Barattage_de_l%27ocean_de_lait.jpg

37.10  The Churning of the Ocean of Milk [2]: The Overheating and Sequential Water Cooling references

"When gods and demons started churning the Ocean of Milk to obtain the elixir of life (Amrita), the first thing that came out of it was Halahala or Kalakuta. It is a very lethal poison. This poison is so dangerous that it could annihilate all the creation. Therefore, gods and demons requested Lord Shiva to drink it, as he was the only one who could do it. Lord Shiva granted their request and drank the poison, but if the poison had spread in his body, it would have been very painful for him. Therefore, Goddess Parvati stopped the poison at his throat before it entered his body by placing her hands over. Even though the Halahala is in the throat of Lord Shiva, it produces a lot of heat in his body. Therefore, Lord Vishnu ordered gods to pour water on Lord Shiva to reduce the heat in his body. Therefore, to reduce heat in his body and soothe his pain, a vessel full of water is always hung over a Shiva Linga, and water drops 24×7 on it." https://www.hinduismfacts.org/why-are-water-drops-made-to-drip-on-a-shiva-linga/

This is a perfect metaphoric description of the overheating Solvay process that ancient Egyptians had to face off: to produce the substance that would give immortal life to pharaoh (like the Amrita elixir of life), they designed the Great Pyramid to create cold, using the power of water in a magical way: evaporative cooling.

It is important to note that the cooling was not continuous: it was a sequential process. Maybe every 10 or 15 minutes, the impactor pressurized the inclined well waters and created the cold, without ever stopping, probably for weeks or months.

What is incredible is that the Churning of the Ocean myth is perfectly accurate also on this particular aspect: it is not said that water had to be constantly poured on a Shiva Linga, but only drop after drop and 24x7, without ever stopping.

The Churning of the Ocean of Milk Hindu myth, showing Mount Mandara on top of Kurma (Vishnu as a tortoise). Gods are on the left: Brahma with four heads, then Vishnu (blue), Shiva (white) and four over gods. On the right are the 10 asura demons holding the head of the great snake Vasuki.

Source Gallica / Bibliothèque nationale de France, département Estampes et photographie: https://gallica.bnf.fr/ark:/12148/btv1b55007286v/f63.item

37.11  The uprooted Mount Mandara is the Great Pyramid made of quarried stone blocks

"The Samudra Manthana (Sanskrit: समुद्रमन्थन; lit. 'churning of the ocean') is a major episode in Hindu mythology that is elaborated in the Vishnu Purana, a major text of Hinduism. The Samudra Manthana explains the origin of the elixir of eternal life, amrita. The churning of the Ocean of Milk was an extensive process: Mount Mandara was uprooted and used as the churning rod." Also: "While carrying the massive mountain, several devas and asuras fell to their deaths and some perished due to sheer exhaustion."

https://en.wikipedia.org/wiki/Samudra_Manthana

The reason that explains Mount Mandara was the Great Pyramid, is the fact that it had been described as "uprooted" : blocks were taken out of a massive mountain, and put somewhere else. It is a perfect metaphor of the quarried stone blocks used to build the pyramid.

"Mount Mandara was used as the churning rod" indicates that it represents the structure used to achieve the act of churning: again, it indicates that Mount Mandara is the Great Pyramid.

The recreation of the fog of microdroplets of the Great Pyramid, with a cloud of ashes, in the Savan Somwar Hindu ritual. Video 1 (thanks to nittivijay): https://www.youtube.com/watch?v=g_1pu39kPfc&t=82s

37.12  The ash cloud recreation of the fog of microdroplets of the Great Pyramid is the culmination of modern Hindu rituals

If you haven't already seen a traditional Hindu ritual, well I guess you're probably gonna be stunned, almost shocked, amazed and fascinated, like I was the first time I discovered this kind of ritual were still performed today.

The above screenshot comes from a video where ash is thrown upon a Shiva Linga, so that a cloud of ash is created and fills the entire sanctum.

I may be wrong here, but I think that this cloud of ashes, that is the culmination of the entire ritual, is produced in the sole purpose to recreate the mist of microdroplets that was created into the Horizontal passage of the Great Pyramid to create evaporative cold. In other words, the meaning of the Ash Ritual, is not to put any ash onto the Shiva Linga, but to create the ash cloud in the air. 

That explains why the Shiva Linga (or Shivlinga) is veiled with a cloth for that part of the ritual: the ashes are only meant to fill the air.

The whole point of the Churning of the Ocean / Churning of the waters of the inclined well, was to produce that mist, that fog, that cloud.

Ancient Egyptians represented this fog in the Dendera temples in its original oblong shape, the Dendera Light bulbs, and Hindus are reproducing it the best they can, with ashes.

Please, watch the video (this is a very short one, 1 minute).

37.13  "Bhasm Aarti at Mahakaleshwar, Ujjain. A Divine Experience not to be Missed"*

"Ujjain, located on the banks of river Shipra is a beautiful temple town and home to one of the 12 jyotirlingas- Mahakaleshwar Jyotirlinga. The word Mahakaleshwar means 'the lord of time' and according to Hindu beliefs, Lord Shiva is the God of time. 

A unique ritual associated with the temple is Bhasm Aarti which begins every day at 4 am. People from all walks of life visit Ujjain with a desire of beholding this lifetime experience. The early morning peaceful and calm environment at the temple is what fills you with immense positivity.

In the past, Bhasm Aarti was performed with ash from the first funeral pyre cremated at night. But with the changing times, this practice has changed and fresh ash is prepared from cow dung.  

The process begins with the 'Abhishek' or the ritual bath of the shivling then smearing it with multiple offerings like curd, honey, sandal paste and finally cleaning it with milk and water. Further, the Shivling is decorated with elaborate arrangements of flowers and especially the Bel leaves that are considered to be very dear to Lord Shiva are also offered.

The process however doesn't end here. There is more to witness even before the ash ritual is performed. Through the application of various substances, the shivlinga is transformed into a divine face and then further embellished with garlands.

After this hour-long process of bathing and decorating the idol comes the most-awaited and interesting part associated with this first aarti of the day. The entire shivlinga is veiled with a cloth in a manner that the decoration is not disturbed. Thereafter, the head priest swings the ash-filled pouch on the shivling. The entire sanctum is filled with clouds of ash covering the shivling in the grey dust. This process of sprinkling ash on the Shivling lasts a minute. 

This is followed by performing Aarti with lit oil lamps, the clanging of bells, and the chants of 'Om Namah Shivay' and 'Har Har Mahadev'. When you are able to witness this entire process and the aarti starts, you just feel that you have experienced one of the most beautiful things in life."

*Thanks to Madhya Pradesh Tourism: https://www.mptourism.com/bhasm-aarti-at-mahakaleshwar-and-ujjain.html

Long video of the entire Mahakal Bhasm Aarti Hindu ritual, thanks to Boom Bhole Digital (Bhaavna Israni). Video 2 (the ash ritual starts at 14.45): https://www.youtube.com/watch?v=sfULEEzBUmE

37.14  The Bhasm Aarti at Ujjain's Mahakaleshwar Temple*

"Mahakaleshwar temple at Ujjain, in the Malwa region of Madhya Pradesh, is an important pilgrimage place for Hindus as it's said to be one of the 12 Jyotirlingas (most sacred abodes of Shiva). It's also regarded as one of the top 10 Tantra temples of India, and has the only bhasm aarti (ash ritual) of its kind in the world.

The unique thing about this aarti is the inclusion of bhasm, which is ash from funeral pyres, as one of the offerings. Mahakaleshwar is a name for Lord Shiva and means the god of Time or Death. This may be one of the reasons for the inclusion of the funeral ash.

The entire aarti lasts for about 45 minutes to an hour. The first part of the aarti, while the shringar is done, is sublime and well worth the scramble. However, the actual bhasm part — which is often hyped to no end — lasts only about a minute and a half.

During this crucial minute and a half that you wait to watch from 2 a.m., women are asked to cover their eyes. It's important to note that the bhasm being used is no longer from funeral pyres but actually just vibhuti – the sacred ash used in most temples, sometimes made from powdered cow dung.

After the Lord is adorned in the bhasm, the actual aarti begins, with the offering of the lamps. The aarti is usually accompanied by chants of praises to the Lord."

*Article by Sharell Cook (06/26/2019) and posted on https://www.tripsavvy.com/mahakaleshwar-temple-at-ujjain-guide-1539494

37.15  Are the four holy months of Chaturmas referring to the operating time of the Great Pyramid?

If everything about Hindu mythology has been built on the ancient Egyptian operating of the Great Pyramid, maybe it is gonna be possible to find some clues on how long and when was the pyramid really operated, in other words, how long and when was the evaporative cold created.

Contrary to ancient Egyptians, Hindus didn't hide things so much : they didn't hide the fact that everything was centered on water. In Hindu mythology, everything is about water. During rituals, including the Bhasm Aarti at Ujjain's Mahakaleshwar Temple, water is poured on the Shiva Linga many times and some Lingas had even been carved in the rocky bottom of some sacred rivers.

Hindu mythology is also perfectly describing the functioning of the inclined well with the Churning of the Ocean metaphor. So, when I stumbled on the Chaturmas thing, I got pretty interested.

Beginning the day of Harishayini Ekadashi in June/July, Hindus in Nepal and India mark a special period dedicated to Lord Vishnu and his embodiments for the next four months until the day of Haribodhini Ekadashi in October/November, and it is known as the Chaturmas (literally, four months). Source : onlinekhabar.com

What if these 4 holy months are referring to the actual operating time of the Great Pyramid?

From a strict calendar point of view, it would be possible, because we know that the pyramid was supplied exclusively with the water of the Nile during the annual inundation, and that this inundation started in July, like the Chaturmas does today.

37.16  How long and how many times was the Great Pyramid functioning?

The question now would be to know if the Great Pyramid was used just one single time for a period of about 4 months, or on the contrary, if it was operated for many years.

Personally, and because the pyramid had such an enormous impact on the ancient World (the Maoris and the Hindus, at least), I'll tend to rule out the unique operating time hypothesis. In my opinion, it is even possible that the pyramid was used over many generations. It doesn't imply that the operating occurred every year, but why not every single pharaoh, had to operate the pyramid at least one time during his kingdom, to prove that he was legitimate to rule Egypt?

Shiva Linga at Sahasralinga, near Sirsi. Sahasralinga is a pilgrimage place, located around 14 km from the Sirsi Taluk in the district of Uttara Kannada of Karnataka state in India. It is in the river Shalmala and is famous for being the location where around a thousand lingas are carved on rocks in the river and on its banks (source Wikipedia: https://en.wikipedia.org/wiki/Sahasralinga). Video by High Level Computing, screenshot at 4.49: https://www.youtube.com/watch?v=jlxpIYKE1ho

37.17  Shiva Lingam is the association of the Bes wedging block that protected the dormant drain hole of the well, with the representation of the draining of the well itself, the Sa symbol

What I'm saying about Hindu mythology being a complete reinterpretation of the ancient Egyptian religion that was mostly entirely based on the operating of the Great Pyramid, doesn't mean it is simply a copy.

On the contrary, a reinterpretation means that Hinduism completely distanced itself from its Egyptian origin, even if everything about Hinduism can be traced and explained by ancient Egypt.

For example, one of the most important act of worship that is still done today, is about putting water, milk or butter onto the Shiva Linga, the representation of Shiva. The fact is that without even knowing it, Hindus are reproducing the draining of the inclined well of the pyramid.

We've seen that Maori rugby players were already reproducing a crucial part of the functioning of the inclined well by mimicking the Bes wedging block that immobilized the bottom of the well Taweret block, and this is not surprising because the well, the Heart of the pyramid would have been one of its most important part.

Hindus putting water onto the Shiva representation are also in some ways, worshiping Bes. The protruding block of the Shiva Lingam is Bes, and  the Yoni part is a Sa symbol.

We've already seen that the Sa symbol was a representation of the draining of the well, and that ancient Egyptians themselves believed that it was giving birth to water.

In summary, Shiva Lingam are the association of the Bes wedging block that protected the dormant drain hole of the well, with the representation of the draining of the well itself, the Sa symbol.

Hatshepsut’s birth scene, from Édouard Naville "The Temple of Deir el Bahari" (London, 1896), vol. 2, pl. 50. Image courtesy of the University Library Heidelberg, The Ebony shrine, northern half of the middle platform: https://digi.ub.uni-heidelberg.de/diglit/naville1896bd2/0050

37.18  The meaning of the Sa symbol

It is important to understand that during the entire operation of the Great Pyramid, hence the creation of the evaporative cold, the bottom of the inclined well was what is now known as the upper granite plug. That crucial block has been deified into the goddess Taweret and was like suspended in mid-air, blocked by a smaller granite block set in the floor of the ascending passage: the wedging block that was deified into the deity Bes. More about Bes in previous Sections, Part B.

Diagram of the operating Great Pyramid of Egypt for evaporative cold production (hypothetically for chemical manufacturing cooling of pure sodium carbonate "natron", the salt used for the mummification of pharaohs). When in operation, the elevation of the Great Pyramid was not finished, and it is only after the shutdown procedure and the draining of the inclined well, that the 3 granite plugs were finally close to one another.

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The Pyramids of the Cold version 2 (May 2023 - March 2024)

Summary of the study and Table of Contents

Part A: The evaporative cooling process

Section 1 • The horizontal evaporative cooling passage layout

Section 2 • The Dendera Light and the creation of the fog of microdroplets by the fog nozzle

Section 3 • The water cycle glorifying metaphors: Geb, Shu, Nut, Tefnut

Section 4 • The theorization of the evaporative cooling process by Akhenaten and Nefertiti

Section 5 • The theorization of the evaporative cooling process in the Weighing of the Heart

Part B • The inclined well of the Great Pyramid of Giza

Section 6 • The inclined well layout and the girdle stones

Section 7 • The Taweret "Lady of the Well" temporary sealing granite plug of the well

Section 8 • The Bes temporary wedging block immobilizing Taweret

Section 9 • The draining of the well

Section 10 • The Great Serpent Apep and the snake water metaphors

Section 11 • The Was scepter and the control over "snakes"

Section 12 • The beating Heart of the Great Pyramid

Part C • The composite impactor of the Great Pyramid (Horus, Ra, Osiris, Medjed, Sobek...)

Section 13 • The wooden and stone composite design of the impactor: Ra and Osiris

Section 14 • The endlessly immersed Osiris stone and the seed metaphor

Section 15 • The Anubis sledge and the bobsled mask

Section 16 • The sledge runners of the impactor: Thoth

Section 17 • Medjed: the smiter nobody can ever see

Section 18 • The Apis bull and the ramming impactor's metaphors

Section 19 • The crocodile god Sobek impactor (more or less) floating in the waters of the well

Section 20 • The Obelisk and the Benben stone rising from water

Part D • The Grand Gallery's of the Great Pyramid of Giza

Section 21 • The Sacred "sloping paths" of the "oval-shaped cavern of the act of Hauling"

Section 22 • The central wooden caisson of the Gallery: Sekhmet and the Triad of Memphis

Section 23 • The hauling ropes of the Grand Gallery: Isis, Nephthys, Hatmehit, Wadjet and Nekhbet

Section 24 • The hauling Beetle and the Seven Scorpions of Isis

Section 25 • The Great Cow goddess Hathor and the operating cycle of the hauling Beetle

Section 26 • The 10 operating phases of the Grand Gallery

Section 27 • The guide to the Afterlife for the smart traveler and the canopic jars

Section 28 • The scarab amulet glorifications of the hauling Beetle

Part E • The very large and roughly finished sarcophagus of the Great Pyramid

Section 29 • The biosand filter sarcophagus of the Great Pyramid

Section 30 • The Elephantine Triad deification of the biosand filter of the Great Pyramid

Section 31 • The Great Pyramid's operating flat roof and the water supply issue

Part F • Chemical manufacturing and industrial cooling before the Great Pyramid

Section 32 • The Serdab and the "Refreshment of the Gods" Step Pyramid of Djoser

Section 33 • Sneferu's Red Pyramid and the accumulated ammonia

Section 34 • The Disc of Sabu and the Solvay process for pure natron manufacturing

Part G • The tremendous impact of the Great Pyramid on the whole ancient world

Section 35 • The hidden secrets of the Hermetica Emerald Tablet (around 1600 C.E.)

Section 36 • Thor and the magical Hammer in the Great Hall of Bilskirnir

Section 37 • The Churning of the waters of the Ocean of Milk (Hindu mythology)

Section 38 • The Tibetan prayer wheels and the Grand Gallery's operation

Section 39 and Conclusion • The cooling water of spitting Kebechet

Part H • Epilogue

Section 40 • The smiting Ark of the Covenant and the Ten Commandments

Section 41 • The 293 kilograms windlass Staff of Moses and Aaron... and the First Plague of Egypt: water turning into blood

Section 42 • Ezekiel's Four Egyptian pulley "Wheels within the Wheels" and the four angel ropes

Section 43 • David, Saul, two giant Goliaths, five little stones, an aeolian harp... and a weaver's beam

Section 44 • The holy water fonts and the biosand filter

Part I • The magicians of the Great Pyramid of Giza

Section 45 • The Legend of Khufu and the "magician" polymath Imhotep

Section 46 • The two magical eyes of Isis and the brilliant but painful flame of her twin sister's braids